Sunday, July 31, 2011

HOT SHOE Innovation - Part 1

Mounting an external flash (like a Canon Speelight 580 EX) on a light stand is not as simple a proposition as it might first appear.  There are standards that Canon, Nikon, Olympus and Pentax use.  This is ISO standard ISO 518:2006.  Click here for the Wikipedia reference.

After suffering a strobe nose dive and subsequent repair, I noticed that various light stand and hot shoe fixtures that are widely marketed are absolutely SUB STANDARD. The following do not have registration holes for the strobe shoe locking pin and will easily allow the strobe to fall out of the shoe.




























The following have a 1/4 inch mounting screw on the bottom and DO follow the ISO 518 standard with registration holes.  The Stand on the left is the Canon Mini Stand that comes standard with the strobe and is made of Metal.  The stand on the right is a Chinese knockoff from E-BAY and is cheap plastic.  BUT in this case, that is good.  So these are good for having spares.





























The plastic stands can be found on E-BAY for $2.29!


Here an ISO Compliant stand replaces the non-compliant hot shoe on a small ball swivel I use on a background light stand.























Now here is the bonus:  the plastic stands can be EASILY MODIFIED with a HACKSAW to fit on a SPEEDRING.  That is coming up in PART 2.

Check out my portrait gallery to see the lights and stands in action.

Thursday, July 28, 2011

More SIGMA Lens Problems on Canon DSLRs

Error 99 is a well known issue with SIGMA lenses on Canon cameras.  Cost me about $100 to fix that one from disabling my Rebel using the Sigma 35 - 200 due to a bad lens chip.

I was out shooting Manhattan recently with my 50D and Sigma 18-200mm and found that it was "HIJACKED."  By that I mean, uable to change the shutter speed in Tv mode, unable to change the shutter speed in M mode, unable to see shutter speed in Av mode.

Thinking I was having to send the camera back for repair, the Error 99 experience made me suspect the lenses.  I put on the Sigma 50 1.4 and no change.  I then put on my Canon 70-200 EF IS and VOILA - the problem was FIXED!  Each time I turned off the camera and turned it back on again to "Reboot."

So I am suspect of the combination and reliability of Sigmas lenses with Canon cameras.  After the Canon lens fix, I tried my Sigma 18-200mm and it worked again, but for how long.  We will see how Sigma responds.

 Here is my Midtown view from my Night Gallery using my Canon 70-200mm.


















I am serously considering either of the following:
Canon 24-70mm EF L f 2.8  or the Canon EF L f/4 24 - 105.  Neither is ideal for APS-C size Sensor as has been outlined in previous posts by this author.















Wednesday, April 27, 2011

PHOTOSHOP vs LIGHTROOM EDITING ISSUES

In doing the Hawk Picture nearby, I sadly was reminded of the differences between the capabilities of two packages.  Lightroom version 3.4 was announced today.  Don't know if it solves this problem.  It wasn't obvious in the press release.

Here is the first image of the hawk, done the deliciously quick way using Lightroom's adjustment brush.





















BUT... there is a catch...Using adjustment brush in Version 3.3 adds the hideous artifacts below upon close examination, especially if you need to go toward the midrange of tones or further.  Completely unacceptable performance.  I HATE HAVING MY TIME WASTED.


























This was edited using CURVES in PHOTOSHOP CS5





















Here is the closeup.  Major difference.  San Jose, we have a problem.

Monday, April 18, 2011

How to Photograph Hawks

How to Photograph Hawks.  A brave title.  Luck is involved.  Timing is involved, preparation of batteries and cards is assumed.  OK, the basics.  YOU MUST have a 400mm or better lens on a fast acting, fast focusing D-SLR.  Image Stabilization is important and "dual mode" stabilization may make the difference.  I use a Canon 70-200 with a 2X converter on Mode 2 setting.  Set on IS Mode 2 to account for the camera swing as you follow the bird.  Mode one assumes you are still and folllowing a still creature with a slow shutter speed. 1/500 is a minimum shutter speed.

Here the hawk, caught at 9:00 am in Staten Island, clutching a thouroughly executed prey bird is headed back to the nest in an arresting sight.
 























Go at least one stop overexposure compensation to account for the bright sky.  In Photoshop, will need to enhance the feather tone.   Point and Shoot users, sorry you are out of luck for flight, but don't give up hope.

Still, good shots are still possible.  STALKING skills beat shooting skills here.  Knowing bird behavior and a sense for their "spook distance" are critical for getting in range.  Change position.  This is likely the same bird above, hours after the catch above.  While shot with the same lens & Camera combo above, the bottom shot could easily have been taken with a long zoom EVIL (Electronic Viewfinder / Interchangeable Lens) Camera or a PowerShot SX30 IS Digital Camera with its long zoom.






































Here is my Bird Gallery.

To buy Birds Shirts, click here.
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Saturday, April 16, 2011

BOOK REVIEW: PHOTOGRAPHIC CREATIVITY - A Whack on the Side of the Head

In my Photographic Creativity course, "A Whack on the Side of the Head" by Roger von Oech is one of recommended reads.  Here's why.

I often hear folks say "I'm just not creative."  Nonsense.  Creativity is a process, and any process can be repeated and learned.  You just need practice and good coaches. 

Right off the bat, I like von Oech's first premise: Creativity is Mental Sex.  "It's a lot of fun...indeed I like to think of creative thinking as the "sex of our mental lives."  (Page 5 of my edition)









Some chapter titles:
1. The Right Answer
2. That's Not Logical
3. Follow the Rules
4. Be Practical
5. Play is Frivolous
6. Tha't not my area
7. Avoid ambiguity and so on up to chapter 16

Obviously, von Oech has a fine sense of sarcasm as he explodes all myths behind all the rules we have been "taught" by our teachers, managers, or other "handlers" in life.

Photographic creativity is NOT the cental thesis of the book, but the concepts are crucial, like Cross Fertilization on page 104.  I am always on the alert for life's surprises.  For inspiration for Underwater photography, I look to other masters for ideas, rather than trying to repeat the work of the Nat Geo Bubble-Blowing legends.  Likewise, Land photographers may benefit from studying the work of the Underwater Masters.

A lot of my creativity lately has been going into the design of t-shirts.  Click here to buy one.





















 Click here for some other shots I consider creative.
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Thursday, April 7, 2011

BASIC EDITING in PHOTOSHOP ELEMENTS & iPhoto (update)

We gave the presentation on basic Editing last night.

Click here to get the best Amazon price on Photoshop Elements.